Features

Frantic Assembly’s Metamorphosis

Hattie Fisk speaks to Frantic Assembly's Scott Graham about his recent reimagining of Franz Kafka's The Metamorphosis, intrigued by the process of adapting this studied German tale into physical theatre
 Hannah Sinclair Robinson (Grete) and Felipe Pacheco (Gregor) in Frantic Assembly's Metamorphosis
Hannah Sinclair Robinson (Grete) and Felipe Pacheco (Gregor) in Frantic Assembly's Metamorphosis - All images: Tristram Kenton

Everyone knows the opening to Kafka's novella The Metamorphosis. Notoriously, a salesman named Gregor Samsa wakes up one day and can't get up – he has seemingly been transformed into a giant upturned insect. What follows is a modernist tale about isolation and the absurdity of life, as our central character wastes away. He has devoted his life to his family but failed at his goal of supporting them. Ultimately, the message is about how people often feel that they are not accepted for who they truly are. It is a solemn tale, and one that many theatre companies would avoid touching with a bargepole due to the enormity of its reputation.

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