Kick-starting any career in the theatre is seldom easy, but in order to succeed as a sound designer you have to be specially gifted and, more importantly, exceptionally tenacious. Even more than lighting and set design, sound is a discipline of particular yet infinite variations, so the director needs to have complete trust in his or her sound designer to come up with the goods. It takes a solid track record to establish that trust, and that takes time.
One of our hardest-working and most respected sound designers is Jon Nicholls, whose career began in the mid 1990s after extensive training in composition and musical skills at the London College of Music, and Dartington College, Devon.
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