Features

Up close and personal

Rehearsing intimacy for stage requires careful navigation at all ages. Sarah Lambie meets intimacy coordinator Vanessa Coffey to find out how to choreograph such scenes between student actors
 
The RCS's production of San Diego
The RCS's production of San Diego - ROBERT MCFADZEAN

When I was 16 I was cast as the lead in the joint-school musical with the school next door. Rehearsals were the highlight of my week, and I made friends for life. But I hadn't, by 16, been quite so successful in other aspects of my life, and so my first kiss – albeit a relatively chaste one – took place in a strip-lit music room with a chap I barely knew and watched by a male Drama teacher from the boys' school. It wasn't a traumatic experience, but it was awkward.

Many productions mounted in schools require a degree of physical intimacy like this, and some teachers will choose to cut it out or find a way around – but it isn't unreasonable to expect older teenagers to perform roles which require this kind of interaction, and the world has moved on a little in the 17 years since my co-star and I stood in that music room, so now it's something to which drama teachers are better equipped to give thought.

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