
David Zoob has an impressive CV and a passion for demystifying Brecht in a straight-talking, deeply informed way. I loved Zoob's entertaining descriptions of ‘Best Brecht Clichés’ and ‘Best Misunderstandings of Brecht’ including earnest ‘representational acting’ on placard-laden stages with house lights and shouty narration.
Zoob illuminates Brecht before his introduction ends. I whooped when I read his exhortations to experiment, not revere, ‘There is no specific Brechtian acting style’. If only I had this clarity as a student.
Through practical, inventive chapters from Gestus and Spass to Contradiction and Emotion, Zoob reveals a fresh, energised approach. I found it brilliant. There are comprehensive exercises, playful games, script interpretations, and plentiful opportunities for learning. Whether Zoob is workshopping Shakespeare, exploring Chekhov, analysing Miller, finding depth in Mother Courage, or looking at power in Pinter he is insightful, fun and helpful.
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