'A show that is worth the watch for its dynamic set, vibrant costume design and stunning vocal performances,' says reviewer Hattie Fisk.
 Rosie Graham (Princess Rose, centre) and Ensemble in Hex at the National Theatre
Rosie Graham (Princess Rose, centre) and Ensemble in Hex at the National Theatre - Johan Persson

With a delay in production and a number of technical errors, Hex seems an appropriate name for this National Theatre production. A dark adaptation of the fairytale Sleeping Beauty, Hex follows the story of a fairy without wings, who puts a curse on the queen’s child and tries to correct it by encouraging a prince to wake her up with a kiss. But there’s twist – her dream quickly becomes a nightmare as we begin to unravel this quirky and exciting story.

The main setback with the production is its target audience is unclear. Initially it appears to be a show for families, but as the plot unfolds there areseveral elements that younger audiences may find disturbing – not least a grandmother eating her own grandchildren (if it wasn’t for a double bluff). In a later scene, one crucial line from the grandmother confirms that the production is most certainly not for all ages as she shouts an expletive.

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