Review: Piaf

The play, written by Pam Gems and directed by Kim Sykes, tells the story of the famous French chanteuse Édith Piaf – a turbulent life story of a vivacious character. As one might expect, the play is heavily laced with music and songs throughout; and therefore makes it the perfect play to stage at the Watermill – a small but mighty theatre, well-known for its pioneering actor-musician-led productions. The script is strong and warrants a revival; it offers many humorous and tender moments throughout and is a well-paced journey through her adult life – sometimes a challenge for biographical dramas.

Undoubtedly the star of this show is Audrey Brisson, who gives an astounding performance in the title role. Previously an Olivier Best Actress nominee for her lead role in Amelie the Musical, Brisson offers a commanding portrayal of a woman who approached life with huge energy and emotion. Her voice is full and powerful, and bears a striking resemblance to Piaf’s. More importantly, though, she performs each song with such narrative power through her gestures and facial expression, that it doesn’t matter if your language skills are a little lacking (all songs are performed in their original French). He prowess was no better demonstrated, for me, than during the song ‘Mon Dieu’, where she sings seamlessly, wearing a white silk slip, while conducting a love scene, half of which is on top of an upright piano. If that’s not impressive, I don’t know what is.