This touring production is based on Rachel Bright and Jim Field's colourful and empowering picture book of the same title. A joint production between Rose Theatre, Lowry, Northern Stage, Unicorn Theatre and Mast Mayflower Studios, it brings to life the story of Kevin the Koala – a nervous and lonely character, who is struggling to leave the safety of his eucalyptus tree in the Australian outback.
His Antipodean friends (who include a wombat and a kangaroo) are keen to entice him down to join them. Although Kevin declines, a woodpecker makes the decision for him. Once forcibly brought down from the safety of his tree, he realises that life can be great if you are brave enough to try something new.
Inevitably, given the length of the picture book, the stage production, designed for audiences aged 3 plus, elaborates significantly on the core story in order to fill a 50-minute performance. Adapted and directed by Emma Earle (with music and lyrics by Eamonn O’Dwyer), this version incorporates introductions to Kevin's friends and a smattering of ‘did you know’ facts about Australia.
Some of the padding works quite nicely, such as the outback explorers who open the show (the ensemble cast of three who play all characters and operate all puppets – Danny Hendrix, Sarah Palmer and Christopher Finn). Perhaps less effective is the introduction of the various other animal friends – ‘DJ dingo’, wombat, cassowary, echidna and others. The mere addition of a different hat causes some confusion among my small assistant reviewers.
The set design (by Oli Townsend) is successful – creating colour and interest (most especially with the flowing waterfall), while being easily transportable to other tour venues. Also a particular highlight is the puppetry (designed by Chuck Brown and Max Humphries for Unit 9 Puppet Workshop and directed by Yvonne Stone). Kevin in puppet form (also played by his puppeteer in some scenes) is remarkably similar to his illustrated original, and moves convincingly. The woodpecker (appearing in several different sizes) works well and moves in perfect synchronicity with the sound effects. Lighting design (James Whiteside) also comes to the fore in the song ‘Reasons to be fearful’, with long green shadows and effective use of a searchlight prop.
The songs are a welcome addition, and well received by smaller audience members, but relatively forgettable – Christopher Finn's delivery of ‘Quite enough for me’ a possible exception.
Overall, a positive theatrical experience for early years and primary children. One of my mini-reviewers claims it is ‘better than the book’. Not better perhaps, but it certainly demonstrates the options and opportunities available when interpreting books onstage.
Touring until 2 September 2025. Dates and venues listed at koalawhocouldlive.com