Firm prospects? The future of post-16 performing arts
Following the DfE's open consultation about the future of post-16 qualifications, including...
Features
Everything is possible: A Boat in an Endless Blue Sea
Last spring, composer Alastair White and soprano Kelly Poukens worked with a London primary school...
Q&A: Simeilia Hodge-Dallaway on diversity and representation in the arts
'No student should have to leave their culture at the front door of any institution' - on...
Making it happen
Training institution BOA Stage and Screen opens in Birmingham this September. Susan Elkin speaks to...
Going solo: Theatretrain
As Theatretrain approaches its 30th birthday, Steve Davies, centre director for Theatretrain Centres...
A bright future
With theatre buildings left in the dark for many months now, Paul Bateson shines a spotlight on...
Survive and conquer
Matthew Nichols’ new book, The Drama Teacher's Survival Guide, has just been published – he tells...
Piracy: What's the big deal?
With illegal downloads among young people on the rise during lockdown, Media Smart has created a...
Rose Bruford College, Centre for Digital Production
Rose Bruford College is now offering two new courses focusing on digital theatre. Here, they provide...
‘Spirit of curiosity’
Oxford's Creation Theatre Company produced The Tempest on Zoom within three weeks of lockdown 1.0...
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