Review: The Boro's 37 Mins
Max Crowland takes a look at Alan Spence's The Boro's 37 Mins, assessing its suitibility for the...
Max Crowland takes a look at Alan Spence's The Boro's 37 Mins, assessing its suitibility for the...
John Johnson reviews podcast Hotseating, assessing its use for drama educators.
Karen Hart reviews Junie B. Jones Is Not a Crook by Allison Gregory, stating it has 'lots of energy,...
EY teacher and freelance writer Ellie Aylwin reviews Adam Power-Annand's That's My Story and...
Paul Bateson reviews The A.I. Play by Don Zolidis, calling it 'a short, snappy and simple text that...
Editor Hattie Fisk reviews The Comeuppance at The Almeida, London.
Gail Deal takes a look at Hannah Lavery's Protest, calling it 'a brilliant play with an inspiring...
Matthew Nichols takes a look at The Accidental Producer by Tim Johanson, calling it 'a well-written...
'This is a thrilling reimagining of the classic text, perfect for students aged nine years and...
Hattie Fisk reviews the National Theatre's London Tide, assessing how it may be used in the drama...